showing 12 results matching medium:"Woodcut in black ink"

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portrait of George Floyd in black inside an irregularly shaped dark form

George Floyd, In Memorium 2020, 2020

David Barthold

Not on View
Woodcut trace monotyped in oil-based black ink on three sheets of paper from two basswood blocks carved by the artist. The block was inked with a standard roller and printed using a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The impressions were each joined and backed with three additional sheets of paper using wheat starch and trimmed to size.

Copyright %C2%A9 Aaron Spangler%2C published by Highpoint Editions

Constellation, 2014

Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Woodcut trace monotyped in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and printed with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size.

Copyright %C2%A9 Aaron Spangler%2C published by Highpoint Editions

Wholeness and Well-Being, 2014

Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Woodcut trace monotyped in oil-based black ink on two sheets of sekishu paper from a basswood block carved by the artist. The block was inked with a standard roller and printed with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with two additional sheets of sekishu paper using wheat starch and trimmed to size.

Copyright %C2%A9 Aaron Spangler%2C published by Highpoint Editions

Fence Lines, 2014

Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Woodcut trace monotyped in oil-based black ink on three sheets of paper from a basswood block carved by the artist. The block was inked with a standard roller and printed using a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The impressions were each joined and backed with three additional sheets of paper using wheat starch and trimmed to size.

Copyright %C2%A9 Aaron Spangler%2C published by Highpoint Editions

Waiting in Line, 2014

Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Woodcut in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and printed with a hand baren. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size.

Copyright %C2%A9 Aaron Spangler%2C published by Highpoint Editions

How Do I Say Goodbye, 2014

Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Woodcut trace monotyped in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and printed with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size.

Copyright %C2%A9 Aaron Spangler%2C published by Highpoint Editions

Hoarder, 2014

Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Woodcut trace monotyped in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and printed with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size.

Copyright %C2%A9 Aaron Spangler%2C published by Highpoint Editions

Bananas, 2014

Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Woodcut trace monotyped in oil-based black ink from a basswood block carved by the artist. The block was inked with a standard roller and inked with a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were each backed with an additional sheet of paper using wheat starch and trimmed to size.

Copyright %C2%A9 Aaron Spangler%2C published by Highpoint Editions

Reclining Arms, 2014

Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Woodcut trace monotyped in oil-based black ink on three sheets of paper from a basswood block carved by the artist. The block was inked with a standard roller and printed using a combination of hand barens and wooden spoons per the artist's instructions resulting in different densities and tonalities. This produced a series of similar, but variant impressions. The final impressions were joined and backed with three additional sheets of paper using wheat starch and trimmed to size.

Copyright %C2%A9 Aaron Spangler%2C published by Highpoint Editions

Separatist, 2014

Aaron Spangler; Printer: Highpoint Editions, Minneapolis; Fabricator: Paul Mullowney Printing, San Francisco; Publisher: Highpoint Editions, Minneapolis

Not on View

Fragrant Scent, 1893-1894

Paul Gauguin

Not on View

Reclining Nude, 1930-1932

Max Weber

Not on View

showing 12 results matching medium:"Woodcut in black ink"

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